In the background, those are 40s-era Hollywood studio lights. Restoring them has become a labor of love. The thing in the foreground is my mobile digital capture rig. If you think it looks like something out of James Bond or Ocean’s Eleven, you’re not far off. And it’s every bit as powerful, though up till now I haven’t yet used it to blow anything up. When you shoot with me, you’re guaranteed to see legendary hardware from at least four different decades.
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